Since releasing his first feature in 2000, writer/director Sean Baker has built himself a name as an exciting voice in independent cinema. As his works have gotten more attention, from Tangerine being shot on multiple iPhones, to Willem Dafoe’s Oscar nomination for The Florida Project, Baker has grown in stature as a director. This leads us to Anora, the writer/director’s eighth feature which won the Palme d’Or at this year’s Cannes festival, and manages to be another exemplary piece of cinema from the creative.
My review of Anora is now available to read at Nerdly.
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